Filming Florida

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November 20, 2013 by Drew Fulton Leave a Comment

Getting the Image – 1 in 98

Black-capped Chickadee taking off.  The image I was after!

Black-capped Chickadee taking off. The image I was after!

After a couple mornings shooting in my field studio at my backyard bird feeder, I felt like I had pretty much nailed down the setup.  I’ve got a few tweaks to figure out once I get a couple pieces of gear, but overall, I’m good to go.  Now that I have the basics covered, I decided it was time to take the next step.  My goal was to capture something more than just a bird sitting on a perch, I wanted some action!  I had been sort of trying it for a few days, trying to get a picture of a chickadee taking off.  I’d had a tiny bit of luck but mostly was getting out of focus images.  So on Saturday, I decided to make that my single goal.

This image came from the previous morning and was so close.  However, the wings got clipped and the bird's head isn't in focus.  It provided the inspiration to do better.

This image came from the previous morning and was so close. However, the wings got clipped and the bird’s head isn’t in focus. It provided the inspiration to do better.

I setup my background and flashes a little bit differently.  The flashes got moved closer to the background and closer to the bird.  Basically, I set it up like I would a high speed flash setup to capture hummingbirds.  Flashes get closer and their strength gets lowered and then the duration of the flash gets shorter and therefore the action gets frozen.  I then focused on a single perch and waited.  I set my frame, racked the focus a little bit forward from the perch, and used a cable release to take the shot anytime a chickadee landed on the perch.

Here is what my Lightroom catalog looked like once I imported all the images into my catalog.  You can see the one image I ended up keeping that is highlighted in blue.

Here is what my Lightroom catalog looked like once I imported all the images into my catalog. You can see the one image I ended up keeping that is highlighted in blue.

In my morning session, I took 98 frames.  I kept 1.  As you can see, the timing was the issue.  Getting the bird in the frame, much less in the right part of the frame, was crazy difficult.  The small chickadees are just so fast that it was nearly impossible.  A few Blue Jays came in and the timing was a ton easier but they were so big they didn’t fit in the frame.  At the end of the morning though, I got a single frame that is in focus, sharp, and a dramatic moment with the wings raised.  Proof of concept established and my setup and technique is solid.  On to new tasks this week…  Stay tuned!

Filed Under: Pre-Production

November 18, 2013 by Drew Fulton Leave a Comment

More Testing and Higher Diversity

American Goldfinch (Spinus tristis)

American Goldfinch (Spinus tristis)

Towards the end of last week, I spent a couple of mornings sitting in my blind and photographing in order to test out my field studio for birds for the Meet Your Neighbours project and my Daily Species.  It was nice to get some additional species diversity for fun and test exposure across different color patterns and plumages.  After four sessions, I believe I now have the setup basically dialed in and ready to go.  I will have at least two mornings of shooting in Florida over the Thanksgiving holiday so I need to be sure I have it all ready since I will have very limited time.  Here are some of the resulting images.  Let me know what you think!

Downy Woodpecker (Picoides pubescens)

Downy Woodpecker (Picoides pubescens)

Blue Jay (Cyanocitta cristata)

Blue Jay (Cyanocitta cristata)

Carolina Wren (Thryothorus ludovicianus)

Carolina Wren (Thryothorus ludovicianus)

Hairy Woodpecker (Picoides villosus)

Hairy Woodpecker (Picoides villosus)

Filed Under: Pre-Production

November 13, 2013 by Drew Fulton Leave a Comment

Partnering with LINC

Red-bellied Woodpecker feeding on the bloom of a Stiff-leafed Wild Pine.  Cypress Dome, Everglades Natoinal Park, Florida.

Red-bellied Woodpecker feeding on the bloom of a Stiff-leafed Wild Pine.

Today, I am pleased to announce the first major support I have received for Filming Florida and hopefully this will lead to many more opportunities.  I am honored to say that I have been accepted into the ArtsLINC program offered by the Legacy Institute for Nature and Culture (LINC) (UPDATE: LINC is now officially the Florida Wildlife Corridor and this is reflected on the support page).   This means that LINC will act as a Fiscal Agent for Filming Florida. This essentially means that LINC will extend their 501c3 non profit status to cover Filming Florida.  This will benefit the project immensely, opening the door to many fundraising opportunities.  I would like to take a moment to thank photographer Carlton Ward Jr., who founded LINC, for his vision and dedication to conservation through photography and art. Additionally, executive directory Mallory Dimmitt has been great in her support for this project through the ArtsLINC application process.

I first learned about LINC a few years ago when Carlton, Mallory, Joe Guthrie, Elam Stotlzfus, and others started the Florida Wildlife Corridor project a few years ago.  The incredible conservation work that they have done through that project as well as the multitude of other projects uniting a large group of talented photographers and other artists across the state is inspiring.  I am both honored and humbled that Filming Florida will be affiliated with this organization.

Filed Under: Pre-Production

November 12, 2013 by Drew Fulton 2 Comments

The Art of Juggling

Over this last weekend I have been working hard on Filming Florida and planning for my upcoming start in January.  I quickly realized that I am going to become a master juggler as I work on this project.  There is so much to do and since it is just me, I am constantly working on different aspects of the project.  Just this weekend, I spent time working on a fundraising strategy, initial startup budgets, technicals for the Daily Species, sourcing parts and pieces of various photographic kits, web design and planning, and a few other things.  Having so much to do is a bit overwhelming but exciting as well.

I am finding that if I can focus on one piece of the project at a time, when my mind gets tired or burnt out on that subject, I can move to a totally different subject and be able to continue working.  For example, yesterday I spent about 6 hours staring at spreadsheets dealing with budgets as well as complete lists of vertebrate species found in Florida.  When my eyes started going cross-eyed after staring at the grids and small text of these massive spreadsheets, I was able to move to a different task,  sourcing fish tanks and butterfly nets, which engaged a different part of my brain and allowed me to keep working.  There may be a lot for me to do on this project but at least it is a diverse range of things so moving between tasks results in a refreshing change of pace or thought.

Filed Under: Pre-Production

November 8, 2013 by Drew Fulton Leave a Comment

Chickadees as Guinea Pigs

Black-capped Chickadee (Poecile atricapillus)

Black-capped Chickadee (Poecile atricapillus)

Earlier this week set out to run some tests on my planned setup for photographing birds that are coming in to a feeder or any other predictable perch for my Daily Species in the Meet Your Neighbours style.  Since my main bird feeder had broken earlier this year and I hadn’t replaced it, I decided to head over to a friend’s to use her setup.  Fortunately, she had a plethora of birds coming in and the Black-capped Chickadees were super friendly and didn’t care if I was standing a few feet from the feeder setup.

Tufted Titmouse (Baeolophus bicolor)

Tufted Titmouse (Baeolophus bicolor)

Basically, my plan for this setup is to have a rather large white diffuser as my background, lit with a single flash. For my front light, I have a single flash that I had planned to modify with a diffuser or umbrella but ended up shooting bare for this setup.  I had a third light stand setup with a clamp that held the perch just over the platform feeder that we moved down to the bench on the side of the deck.  This meant that many birds would come and land on my perch before continuing down to the feeder.  Simple, but effective.

Here I am setup on my friend's deck trying out the setup which worked pretty well for a first try.  Photograph courtesy of Melissa Groo - http://melissagroo.com

Here I am setup on my friend’s deck trying out the setup which worked pretty well for a first try. Photograph courtesy of Melissa Groo – http://melissagroo.com

Mostly, it worked.  I ran into a few problems that I will correct for future setups.  First, I left the holder for my big background diffuser on my office floor.  That would have made life a lot easier and I won’t make that mistake again.  Second, I was using Nikon’s Creative Lighting System (CLS) to control my flashes manually using a SU-800 controller.  This means I can control the power of the flash from my camera and not have to walk over and disturb the birds when I want to change the power of the flash.  The problem with this system is that it communicates with the flashes via infrared light which means line of sight is imperative.  The flash that was hiding behind the big background diffuser was not firing, so I had to put it just off to the side which meant it lit the diffuser unevenly.  At this point, I am planning on investing in a set of Pocketwizard FlexTT5s so I can still control my flashes from the camera and since the Pocketwizards operate on radio triggers, I won’t have to operate on line of sight.  I may also add a second flash to my background diffuser so I can light it more evenly across the entire 40″ x 60″ diffuser.  This wasn’t crucial for this setup but for future setups where I will need to use the entire diffuser as a background, it will be very important.

Overall it was a great first start and gave me a few things to improve on and most importantly, it helped me nail down exactly what I need to do for a setup like this.

Filed Under: Pre-Production

November 6, 2013 by Drew Fulton 1 Comment

Bugs on White

Beetles from a Costa Rican cloud forest

Beetles from a Costa Rican cloud forest

Back in 2008, I was in Costa Rica working on what would become Canopy in the Clouds and one night while sitting around the dinner table with my collaborators, Greg Goldsmith and Colin Witherill, we got talking about how to showcase all of the crazy bugs we were finding.  After a long discussion, we ended up deciding to try shooting them on white or black background, isolated from their environments and thereby emphasizing their crazy shapes, colors, and forms.  This was in no way a new or original idea, but something we decided to do on the spur of the moment in the field.

Weevil species from Costa Rican cloud forest

Weevil species from Costa Rican cloud forest

The next day during a rainstorm, I spent the afternoon figuring out how to build the setup and eventually came up with a very makeshift studio that was based around a piece of white poster board with a bunch of flashes set up around me with a diffuser.  Not very convenient but it seemed to work.  For the next few weeks and during our next field season in early 2009, we would spend all day in the field doing our normal field work and whenever we would see an interesting bug, we would grab it and stick it in a plastic bag to take back to the house to shoot in my little makeshift studio.  There were a couple very memorable nights when we were up shooting well past midnight trying to get through everything we had caught that day.  I vividly remember Greg, who was acting as “bug wrangler” chasing a moth all around our little living room as it kept flying away whenever we tried to photograph it.

The project was a lot of fun and we ended up with a couple cool galleries of images that are now available on our site.  However, our technique was pretty primitive and the results were decent but not spectacular.  In 2009, a couple of photographers, Clay Bolt and Niall Benvie, founded an international collaborative project called Meet Your Neighbours.  The basic idea was to create a set protocol for shooting local species in a white field studio and get photographers from all around the world to participate.  This would highlight the biodiversity of local communities and work towards “reconnecting people with the wildlife on their own doorsteps.”  It is a really amazing project with a bunch of very talented photographers participating.  As part of Filming Florida, not only will I be participating in Meet Your Neighbours, but I will be publishing a new species every single day.  This means that in the three years of the project, I’ll be posting well over 1,000 species from all across Florida.  It is a monumental and daunting task but it should be a ton of fun and a great learning experience.  Stay tuned over the next few weeks as I work on perfecting my own techniques for this process!

Filed Under: Pre-Production

October 29, 2013 by Drew Fulton Leave a Comment

A Crew of One

Keeping a low footprint while traveling alone is much easier.  Here, I am sleeping just above the beach on Getullai Island in the Torres Strait, Australia before photographing a tern colony the next morning.

Keeping a low footprint while traveling alone is much easier. Here, I am sleeping under a nearly full moon just above the beach on Getullai Island in the Torres Strait, Australia before photographing a tern colony the next morning.

One of the constraints that I have placed on myself for this project is to operate primarily as a one man crew.  What does this mean exactly?  Well, basically it means that I get to do everything.  The means I will be operating the camera, recording the audio, writing the scripts, doing the editing, color grading the final videos, cooking dinner, driving the vehicle, repairing and cleaning gear, hauling the gear into the field, etc, etc, etc.  You name it, I’ll be doing it.

Why would I want to take all this on myself?  Quite simply, for four reasons.

  1. I want the experience of doing all of these things and sharing that experience through the Behind the Lens series.  Part of the goal of this project is showcase all the different roles that go into making a film.
  2. I want to operate with a very low footprint on the landscape where I am working.  I don’t want to have a large crew with me while working in sensitive environments where we might damage the ecosystem, scare the wildlife, or cause harm to wherever we are filming.
  3. My third reason is simply practical and logistical.  Because of the full time commitment of this project over a minimum of two years, its hard to find someone that is willing to join me for that entire period and that is before I even have to find additional funding to pay someone’s salary full time for multiple years.
  4. Finally, my fourth reason is simply control.  I relish the idea of having full creative control over every aspect of the production and I love learning new skills in order to make my creative ideas a reality.

What about the whole “jack of all trades, master of none” concept?  This is something that I have to acknowledge and realize that I will be working within my own limitations.  I realize that some aspects of the production might suffer, particularly early, because I am not an expert at all things.  That is a reality that I will have to deal with, but it is also part of the journey of Filming Florida.  It is the story of my experience, what I learn, where I succeed, and even where I fall short.  It’s a tall order but it is all part of the story and I look forward to learning if a single individual can actually pull off all of these roles.

I will also state that I do plan to work with other people in the field.  I have already had several individuals offer to help out in various capacities throughout the project.  My wife may even be able to join me for some portion of the project and she will take over some of the roles in the project if she is available.  However, for the majority of the project, I will be working alone in the field and be performing all of the various tasks as a crew of one.  It is a bit overwhelming but I am actively forging ahead and building my skill set so that Filming Florida is the high quality production I have envisioned.

Filed Under: Pre-Production

October 27, 2013 by Drew Fulton 1 Comment

Why Florida?

Cypress dome with blooming Stiff-leafed Wild Pine.  Everglades National Park, Florida.

Cypress dome with blooming Stiff-leafed Wild Pine. Everglades National Park, Florida.

When people think of Florida, they tend to imagine Disney World, the beaches of Miami, maybe the Daytona 500, or possibly sunset in Malory Square in Key West. They might think of college football or wild spring break parties. Some imagine hurricanes and swamps teeming with vicious alligators, dangerous snakes, and blood thirsty mosquitos.

For me, Florida is my home. I grew up in Orlando and spent my childhood exploring the woods, the waters, and the beaches of the state, yet I have only seen a small portion. I haven’t spent more than few months at a time in the state since I was 18 and I am dying to get back and explore.

Florida has 161 state parks protecting nearly 800,000 acres across the state. It has a national preserve, two national seashores, three national forests, three national parks, one of which was the first national park to be created to preserve biodiversity rather than geological or geothermal resources. It has 29 national wildlife refuges, second only to California. It has over 5 million acres of land protected in the largest system of wildlife management areas in the country. Yet despite all of this, when most people think of Florida they don’t think of nature except in a negative connotation as a dangerous swamp where you are sure to be eaten alive by a hungry gator.

This is my home state, despite not having lived there in the last decade. It is where my heart thrives. It is where my dreams lie. When I arrive in Florida after the long drive from New York and step into the woods my entire body relaxes and I am home, even if it is a particular location I have never been before. I want to change the way people look at Florida. I want to change the way people view Florida. I want to show people the Florida I love. I want to do it at across different types of media. It is an amazing state and needs to be shared.  I hope you’ll join me in this journey of exploration.

Filed Under: Pre-Production

October 24, 2013 by Drew Fulton Leave a Comment

And so it begins…

Today, I turn 30.  It seems to be a bit of a monumental step in life, whether real or perceived, but I am using this occasion to officially announce my new project, Filming Florida.  If you’ve read through any other bits of this site before making it to the blog, you are probably starting to realize that Filming Florida is not a small undertaking.  It is big, ambitious, and likely more than a bit crazy.  If you know me personally, you hopefully are also thinking that it sounds like me.  It’s a project only I could dream up and consider embracing.

Filming Florida as you see it today as I launch, is just the beginning, but it is also the culmination of several years of ideas bouncing around in my head.  It is the result of a couple years of thinking, pondering, and maybe even a little scheming.  It is the combination of my somewhat disparate interests, ideas, and skills finally blending together to form a single cohesive, yet multi-faceted, project.   It is a project that is uniquely me.

So what is Filming Florida?  Filming Florida is many things.  It is my personal journey rediscovering Florida, the state where I grew up.  It is the exploration of the natural side of one of the fastest growing states in the country.  It is my odyssey as an image creator moving from still photography to the moving image and filmmaking.  It is an experiment to see if a one man crew can shoot, edit, and produce media on a regular basis while constantly working in the field.  It is a free ticket to behind the scenes of a massive multimedia production.  It is an exploration in using cutting edge technology to tell stories in ways never before seen.  Ultimately, it is the project that produces a film, book, and multimedia exhibition about the natural history and landscape of Florida.

Filming Florida officially starts today with the launch of the website and blog.  Over the next couple months, I will be working to prepare for the start of the field work and media creation phase of the project which will start in January.  That gives me just over two months to continue planning, preparing, and fundraising so when 2014 arrives I am ready to hit the road, start shooting, and releasing media through the blog and my two video series, Behind the Lens and Nature Profiles.

I really hope you will join me on this journey over the next few weeks, months, and years as I throw myself into this ambitious project and share my experiences, my successes, and my failures.  Starting today, I’ll be posting to the blog as well as across my various social media sites and I look forward to connecting with you there.

 

Filed Under: Announcements

October 24, 2013 by Drew Fulton Leave a Comment

Blog and Website Overview

On October 24, 2013, FilmingFlorida.com will launch as the official project website serving as the central hub for all content, outreach, and media created during the project.  Not only will it host both the natural history short film series (Nature Profiles) and the production web series (Behind the Lens), but it will also link together all of my social media outreach.  From the start, I will employ media centric social media platforms including Instagram, Facebook, Google+, Vimeo, YouTube, and Twitter.  These plans may change as the social media landscape continues to evolve, new platforms grow, and Filming Florida reaches a larger audience.

Finally, the website will be the home of an extensive blog—bringing photographs, video, and stories from my life in the field to readers on a regular basis.  The blog will provide the majority of the content and be updated several times a week, if not on a daily basis, depending on connectivity from the field.  The blog will showcase a wide variety of content including experiences in the field and photographs of the landscape and creatures I encounter. One day I might talk about an incredible moment I witnessed, while the next I highlight a biologist I am working with in the field.  Some posts might tell the story behind an image or video clip, while others might share what it is like to constantly travel and work out of a trailer for over a year.  Above all, much of the blog will be dedicated to sharing the natural beauty of the state and encouraging readers to get out and explore on their own wherever they live.

Each post will be written for an audience with an interest in nature, exploration, and media.  While some posts may be a technical explanation of how I created an image or about the science behind animal behavior, each post will be written without jargon for a general audience and not just a technical filmmaker or trained biologist.

 

 

Filed Under: Announcements

July 20, 2013 by Drew Fulton Leave a Comment

Woodpecker

red-bellied-woodpecker-00006

Filed Under: Slider Image

July 20, 2013 by Drew Fulton Leave a Comment

Pineland Sunrise

pinelands-00004

Filed Under: Slider Image

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Email:
info@filmingflorida.com

Phone:
(321) 230-6212

Mailing Address:
Filming Florida
PO Box 547102
Orlando, FL 32854

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